Welcome to my music reviews section! I do hope that everyone finds something new here to listen to or check out and if you don't then you will at least get some insight into what kind of music I listed to from day to day. So that said, let's see if we can get this started off right.


I will start of my reviews with one of my very favorite albums of the past year. It's the soundtrack for the movie Lost in Translation. It's hard to describe how this album has effected me. I'll start off saying that the movie stirred up my fascination with the idea of being lost somewhere totally new. Getting lost in something or somewhere lets your mind soak in the little things around you. It lets you separate from everything you know and feel insecure for once, giving you the chance to feel alone and totally reliant on your own thoughts to show you the way. This is why I love discovering new music, because I can have something new to surge my creative side as I dive into whatever miscellaneous project I may be working on. This feeling is somehow brought out of me as I listen to this collection of songs. For whatever reason this music always seems to find a way to let me escape my surroundings and crawl somewhere inside that feeling that I am so interested in. That calmness that feeling lost brings. Lost in thought. Lost in time. Lost both physically and mentally.

OK so maybe thats all a bit dramatic, no? Yeah, it probably was, but I think that it may give off how the album gets under my skin. Now I can take it apart a bit further and talk about the music as it is apart from emotion and all that.

The music swirls about from track to track almost seamlessly. Some stand outs in my mind would have to include oh let's say 100 percent of the album. So I've decided that the best I can do to describe the album is going to have to be a laundry list of track descriptions.

The album starts off with a short little sound collage pieced together from sounds recorded as they filmed the movie. It tumbles directly into the first song which just happens to be some of the only music Kevin Shields has released since the fall of 90's legends, My Bloody Valentine. It's a great song and it does drag on a bit if you let your mind notice but its a really pretty song all in all. Classic Kevin Shields id say. Following a short ambient piece Sebastian Tellier's track "Fantino" glides along with smatterings of acoustic guitar that glide along inside the track so effortlessly and beautifully. A lot of this album seems to contain the best tracks by a lot of the artists that appear on it, well in my opinion anyway. The song "Girls" by Death In Vegas is a good example of this. It's got to be the strongest track I have heard them put out. The Squarepusher track on here is short but it's a wonderful haunting ambient tune and one of my very favorites on this album as well as the one it was taken from, "Go Plastic". Listening to the Phoenix track you will notice that it does poke out from the rest with it's bright poppy existance and at first I didn't really care for it but it grew on me over time and ended up being a favorite. The only japanese song thats on the album is a song by Happy End and it fits right in with the rest of the album with its mellow simplicity. There was also a track taken from the My Bloody Valentine album 'Loveless' called "Sometimes" which is a brilliant track that is perfectly placed within this soundtrack. There is a song by Air on here that appears to have been thrown onto the end of there most recent album (which I didn't think fit on that record at all for some reason) but it complemented a scene in the movie where one of the main characters wandered through a garden / temple in Kyoto all too well. The last track on the album is a wonderful way to end both the movie and the soundtrack. "Just Like Honey" really is simply a beautifully written song and as with everything else it somehow melted right on into the movie with ease as if it always just kind of existed in that moment in the film.

So in that chunk of writing didn't mention one of the key elements of the soundtrack and that would be the short ambient interludes between the proper songs on the album. They are the secret stars of the soundtrack as they bridge the songs together with there delicate existence among the rest of the music and if they had been fleshed out into full tracks I think they could stand on there own quite well.

Last but not least is the secret track hidden behind the last song on the cd version of the album which is simply Bill Murray's character singing the Roxy Music song "More Than This" and I'm inclined to admit that I like him singing it more than the original which, after hearing it, didn't really appeal to me all that much.

Now I know that there has been nothing but constant praise in this review and I figured this would happen as soon as I decided to review the album but I can't really help myself. I know that some other reviewers seem to have concentrated more on the fact that Kevin Shields made this strange half comeback into making music with this album and thus seemed to ignore the album as a whole which is pretty aggravating. Why is it that journalists are so cold and ridged about reviewing cd's? Either zeroing in on what might make for an entertaining read or going off on a snotty personal attack on the artist. Even ones that try and be entertaining and clever such as the reviews over on pitchfork.com come across so elitist and unrealistic. What's the point? I mean, there's honesty in reporting and there's good conclusive reporting but where is the line drawn between personal opinions and simply glorifying public opinion by writing what the writer might think people may want to hear. I know people all have different reactions to different music, movies, books, or whatever else but sometimes people seem so damn touchy about things. Sorry, off topic here...

It's funny that I'm ranting on here barely making any viable point about what good reporting is right after going on and on about my personal feelings about an album I'm trying to review. I'm new to this and I don't ever intend to be a professional at this. I just thought it would be nice to review music in a way thats a little more personal than most. Who knows, maybe cause a bit of conversation on something here and there. Thats what the comments are here for after all.

Well I've gone on far to long here on my first review. We will have to see if perhaps I can be a bit more to the point next time around. Or is there a point?